What is it?
Research study at Bundoora campus investigating vigilance entrainment through auditory cues within the broader context of awareness/drowsiness in drivers.
How does it work?
Exploring the potential for Binaural Beats, Isochronic tones and other modalities for brainwave entrainment through auditory cues.
Why does it work?
[Summarise current research, psychology, biology, neuroscience]
Research study at Bundoora campus investigating vigilance entrainment through auditory cues within the broader context of awareness/drowsiness in drivers.
How does it work?
Exploring the potential for Binaural Beats, Isochronic tones and other modalities for brainwave entrainment through auditory cues.
Why does it work?
[Summarise current research, psychology, biology, neuroscience]
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Adapted from Randy J. Larsen and Edward Diener, “Promises Problems with the Circumflex Model of Emotion,” Review of Personality and Social Psychology 13 (1992): 31.Valence, as used in psychology, especially in discussing emotions, means the intrinsic attractiveness (positive valence) or aversiveness (negative valence) of an event, object, or situation. However, the term is also used to characterise and categorise specific emotions.  Mood: State of mood that is experiences at a particular time
Objectless affective states
Emotion: A natural instinctive state of mind deriving from one’s circumstances or relationship with others
Feeling: Emotions with cognitive overlay
Entrainment: "Appetitive vs Aversive"
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Senses to exploit:
Hearing
Vision
Smell
Touch
Proprioception (muscle contraction) <- this may be useful in our research.
Balance
Brian Eno > scent :: look up
Scents and Sensibility
From Details Magazine, July 1992, by Brian Eno
http://music.hyperreal.org/artists/brian_eno/interviews/detail92.html
Draws parallels between the sensorial power and immediacy of scent to the immeasurable elements of sound through a musicological framework,
"Rock music, I kept saying, was a music of timbre and texture, of the physical experience of sound, in a way that no other music had ever been or could have ever been. It dealt with a potentially infinite sonic pallette, a palette whose gradations and combinations would never adequately be described, and where the attempt at description must always lag behind the infinites of permutation."
Richard Davidson - The emotional life of your brain
Affective Neuroscience: (study of brain mechanics that underlie emotion)
Antonio Damasio - reason vs emotion
All in the mind website / ABC - Radio National
The master and his emissary podcast - balance of emotion vs reason
Jason Satterfield “Brain Mind & Behaviour: Emotions & Health”
“From mode to emotion in musical communication”
Appraisal theories of emotion - situational
David Eagleman - “The Brain” SBS
Daniel Khaneman - "Thinking fast and thinking slow"
System 1 & System 2
Daniel Gilbert - “Stumbling on Happiness”
Sound design: Michel Chion, Gayard & Torque?
Investigate old woman/young woman illusion rates - hemispheric switching? backed up by science?? Skeptical! Omega 3 ups rate of hemispheric switching? Citation!
Writers block overcome by omega 3? CITATION!
Galvanic Skin Response to measure and record chord relationships and goosebump response?
Lobe stimulation with Magnets? TMS
Plint experience: Write up
Plint experience: Write up
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